When 9-year-old Emily is removed from the care of her aging grandfather. She is abruptly placed with the witchy, funny yet unpredictable Sylvia. As the two build a surprising bond, they find that forging a new family is not without risk or hesitation.

Are musical biopics a little overdone? Sure. Can musical biopics be a little void of narrative and depth? Most definitely but do musical biopics blend the relationship between music and movies into basically a two hour long music video that gets your toe tapping and head bobbing. Hell yeah.

A queer director making a slasher franchise sequel becomes obsessed with casting the original film's "final girl," leading both women into psychological and sexual chaos.

Backrooms is the kind of original horror I expect from A24, it showcases high quality concepts, set design, storytelling, performances but most of all unpredictable conclusions.